The Generations are depicted by the umbilical cord from the fetus attached to the "generations" who came before. Many symbols of fertility are painted onto the egg. The male and female figures are deliberately painted as though on an old, well worn plaster wall. The scupture is hollow white ceramic, fired to cone 2, in an "almost" egg shape with the never ending, natural cycle of life painted on it in acrylic and varnished with archival and UV protection. The finish is similar to an eggshell in texture and sheen.

Painting on the round is entirely different than painting flat as it is impossible to see six sides at once.